“ ‘Two Pianos’ is a strongly clarifying movie. It finds [Arnaud] Desplechin at the height of his creative energy, and the vigor of the filming is undeniable—but it reflects Desplechin’s affinity for the story, and his delight in unfolding it, with an efficiency that’s disguised as fullness.” Richard Brody writes.
www.newyorker.com/culture/the-front-row/tw...