“Baldwin Street: Photographs 1966-1994,” named for the dead-end road in Danville, Virginia, where Emmet Gowin’s wife, Edith Morris, lived when they first started seeing each other, is focussed on Edith’s extended family and the relationships within it. “I admired their simplicity and generosity and thought of the pictures I made as agreements. I wanted to pay attention to the body and personality that had agreed out of love to reveal itself,” Gowin writes. See more of his intimate photos: www.newyorker.com/culture/photo-booth/emme...